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Hyperlust
← Launch Price (Limited Time)
- AU · VST3 · AAX
- macOS — Apple Silicon
- 5 Fuzz Voices
- 20 Factory Presets
- Lifetime License · Free Updates
Five voices
From cutting to cataclysmic.
Cutting
FZ-2 inspired Fuzz I — high-gain, forward, articulate.
Wide & Heavy
FZ-2 Fuzz II — scooped, doom-ready wall of sound.
Vintage
FZ-1W lineage — raspy, primitive, dynamic.
Sustained
Big Muff topology — creamy, violin-like sustain.
Boost
Clean gain stage to push anything into the red.
Built Different
What sets it apart.
Reactive RGB Underglow
The interface reacts to your playing — intensity, color, and glow scale live with your signal.
5 Voiced Fuzz Modes
FZ-2 accurate I & II, vintage FZ-1W III, Big Muff IV, and clean Gain Boost V. One plugin, five characters.
Octave Transpose
±3 octaves, serial or parallel blend. Stack with fuzz for total chaos or subtle harmonic layering.
Spectral & Granular Gate
STFT per-bin frequency gating and rhythmic granular chopping — both with host BPM sync. No other fuzz plugin has this.
Phase Tools
180° polarity invert and MicroDelay for phase sculpting, stereo widening, and comb effects.
20 Factory Presets
From clean boost to full doom. A/B compare built in. All fully editable.
Works In Your DAW
AU, VST3, and AAX formats. macOS 11+, Apple Silicon. Windows coming soon.
Under the hood
Built like studio gear.
Zero-latency core
0 samples reported. Tracks pickup like the real thing.
Octave shifter
Serial or parallel placement with per-voice mix.
Phase tools
180° invert and a micro-delay phase dial for sculpting.
FZ-2 tone stack
Bass, treble, sweepable mid (200 Hz – 2.8 kHz).
M/S width
Collapse to mono or push past stereo with surgical control.
1× / 2× / 4× oversampling
Tame aliasing without taxing your session.
Origin
The Ears Behind
the Machine
Jay Gordon, frontman and creative force behind the iconic band Orgy, didn't set out to build a plugin. He set out to chase a feeling.
That feeling started with the Hyperfuzz pedal, a piece of gear that became central to the sound of Candyass, Orgy's landmark debut record. The tones Jay coaxed from that pedal weren't accidents. They were the result of ears that hear music differently. Ears that can detect the subtle interplay between harmonic layers, the exact moment a frequency becomes something emotional rather than just sonic.
That level of refined hearing is rare. It's the difference between music that sounds good and music that moves you. Jay has spent his career operating in that space, hearing the fine details that most producers miss, and understanding how those details, when dialed in precisely, can elevate a record from great to iconic.
But when it came time to produce, that same precision was hard to find in the tools available. The depth of customization he needed, the kind that lets you shape tone at a molecular level, simply wasn't there. So he built it.
Hyperlust is that vision made real. A plugin born from decades of instinct, refined taste, and an obsession with the details that actually matter.
"The details are what make it iconic."
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